Random Article

 
Top Albums
 
 
 
Features
 

Best Albums of 2016: Top Ten

Obscure Sound presents the top ten albums of 2016.
 
3 comments
More
 
Features
 

Best Albums of 2016: #20 to #11

The Top 20 kicks off with albums #11 to #20 taking the spotlight.
 
0 comments
More

 
Features
 

Best Albums of 2016: #30 to #21

The top albums of 2016, with albums #21 to #30 featured.
 
0 comments
More
 
Dream-Pop + Shoegaze
 

Best Albums of 2016: #40 to #31

Albums #31 to #40 are covered as we continue the top 50 albums of 2016.
 
0 comments
More

 
Features
 

Best Albums of 2016: #50 to #41

We feature the top 50 albums released in 2016, starting with numbers 41 to 50.
 
0 comments
More
 
Top Albums
 

Best Albums of 2015: Top Ten

The best albums of 2015 feature wraps up with our top ten releases of the year.
 
2 comments
More

 
Top Albums
 

Best Albums of 2015: #11-20

Albums #11 to #20 of 2015 are covered as we head toward the Top 10.
 
1 comment
More
 
Dream-Pop + Shoegaze
 

Best Albums of 2015: #21-30

Passing the half-way point as we recap the best albums of 2015, a stylistically eclectic year for sure.
 
0 comments
More

 
Dream-Pop + Shoegaze
 

Best Albums of 2015: #31-40

Albums 31 to 40 are revealed as we continue our countdown of 2015's best albums.
 
0 comments
More
 
Dream-Pop + Shoegaze
 

Best Albums of 2015: #41-50

The top 50 albums of 2015 are unveiled, with write-ups and audio, starting with the first ten.
 
0 comments
More






Best Indie Albums











Instagram
  • “Insecurity” is a consuming track released today from @colorcard, a band that formed in Chicago by longtime friends Kyle Irwin (guitar, synth, vocals) and Eden Sierotnik (guitar, synth, vocals) in 2009. Bassist Eric Streichert joined in 2014. An effective rhythmic change-up at the two-minute mark gears up a nice transition, where eerie synth pads and post-punk bass-y reverberations linger alongside serene vocals. The aesthetic and instrumentation from the get-go remind of Wild Nothing, as the vocals cast a melodic glow in the alignment with the ghostly synths and guitar twangs. Touting a haunting aesthetic with post-punk yearning and effective guitar/synth interplay, “Insecurity” is a stellar release from Color Card. {Link to listen in bio}
  • VS Colour impress with “All Or Nothing,” a striking track that grows from chugging suaveness into a bursting rocker. The Los Angeles-based act describe “All Or Enough” as a “song about choices.” A moody first half rides patiently, clearly building toward a big second half. What that transition arrives, signaled by excellent vocal interaction at the two-minute mark, a vibrant rhythm section and perky guitar tones emerge alongside charismatic vocals; everything amps up a bit here. Aesthetically, there are points that remind me of Grizzly Bear and Field Music (particularly when the vocals ascend in pitch). “All Or Enough” is a wonderful journey of a rock track from VS Colour. Look out for the band’s upcoming album, Entitled, in November — touching on their “own spin on psychedelia, R ‘n’ B, electronica, yacht rock, and hip hop.” {Link to listen in bio}
  • “Vera” is a striking track from Night Hikes, the Seattle duo who wowed with “Avila” in August. Olivia Godby and Matthew Farrell again impress with this dreamy, effervescent gem. Godby’s lush vocals converge with textural guitars and eventual, glistening synths. The “you’re comin’ too hot,” conclusion at the end works with anthemic appeal, especially as the soaring vocal touch caps it off. “Vera” is a fantastic output from Night Hikes, who will be releasing another track/video in the coming week as well. The duo have the following to say about “Vera”: Vera is a persona we created to reflect the commodification of the “wild-woman” archetype. Vera exists only in how she comes across, and it is impossible for anyone, including her, to tell who she is as a person. She is beautiful and carefree. She walks barefoot and loses herself in the pulsing crowd at music festivals, but she is curated. She is wistful to a fault, choosing happy slogans over a real, authentic understanding of the world around her and the work it takes to make it a better place. The instrumentation illustrates the dichotomy between the groundedness Vera exudes in photos and the listlessness she carries in reality. The forceful beat and edgy, distorted guitar hold the song to a steady pulse, while the vocals feel like they are emerging from a dream sequence. The final sparkling synths wrap the end of the song in a psychedelic haze of ambivalence for the outside world. — link to listen in bio
  • Strange Weather’s previously featured track, “Suspending Disbelief,” transported us to a tropical island, with its swaying guitars making for a hypnotic effect. The project’s latest, “Surroundings,” accomplishes a similar feeling as well, whisking listeners to a place with calming, swaying magic — making it a release we’re happy to premiere. The aesthetic captivates throughout; twangy guitars just prior to the two-minute mark are accompanied by gentle organs and vocal murmurs. Shortly thereafter, a burst of vocal passion, twinkling keys, and vibrant rhythms show the track’s peak. “Surroundings” is more enjoyment from Strange Weather. {Link to listen in bio}

Follow Me!

Send us your music on SubmitHub