With a fondness for songs with fun melodies you can sing along to, Philly indie-rockers Dominy have a great new track with vibes fit for the weekend. “Mary Don’t Bury Me” touts
New Tracks
Philly act Mulch Aikens impressed last year with the catchy “Sand Dunes“, which melded influences of “classic disco music and contemporary underground music,” to produce a suavely melodic aesthetic reminiscent of Toro
Touting a sound reminiscent of earlier Arctic Monkeys, “Catch Your Eye” is a striking new track from The Caracals, who previously impressed with the track “City Girl” in May. A nonchalant vein
Groove into the weekend with the synth-laden funk of Synthonic, a new downtempo/electro-funk project from London-based musician Kieron Garrett. The project’s new track “Head Banging” incorporates suave funk bass lines alongside vibrant
“Silhouette” is a striking example of the soundscapes apparent in Krigarè’s music. Haunting, cathedral-like vocals and a lingering string presence accompanies a gradual vocal emergence. Shards of synths emerge past the two-minute
Nashville act Maxwell James produces a touching vein of Americana with folk and country influence. “When It’s Real” is a nice example of his knack for heart-tugging melodies and lyrical sentiments. Trained
Nomad by Heidi Osborne The snappy, opening track on Heidi Osborne’s new album Nomad, “A2Z (Rise and Grind)” is a nice example of the artist’s knack for charismatic vocals and playful, perky
San Francisco transgender music icon Shawna Virago releases a passionate, acoustical track with “Tranimal”. Accompanied by a music video (below), the track is a response to hate and intolerance. “This country needs
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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