The lead single off Sam Hoffman’s debut album Fairweather, “Glencrest Lane” is a consuming example of Hoffman’s strong songwriting and aesthetic, recalling ’60s and ’70s rock/pop while emphasizing a jangly feel. This
New Tracks
The brief though wholly successful “ODE2K0IPT.2” is the latest track from PoetX, a recording artist, poet, and author born in Philadelphia, PA and raised in Newark, DE. Touting a spacey feel reminiscent
The bursting synth-pop intro on “Peripheral” seamlessly transitions to a lush, lounge-y relaxer — a mellow bass line, caressing piano, and butter-smooth duet vocals leading the way. The synth emerge again at
Nashville-based artist Thad Kopec unveils an intimate, haunting sound on the engrossing new track “Mirror.” Acoustical trickles and a lush key progression accompany his mellow vocals to start, transitioning around 01:30 to
Henry Hall’s latest is a moving crooner featuring creaky acoustics and piano smatterings, reminiscent aesthetically of Grizzly Bear. From brisk hook-filled rockers like “Comfort Zone” to quainter more folk-inclined efforts like “Missing
I first caught onto John War with his stylish, atmospheric cover of Glen Campbell’s “Wichita Lineman” a couple years ago. It was a nice showcase of his aesthetic, which is continued with
“Security” is a newly released track from Vienna-based trio The Faded North, the second single off their new EP What Did I Miss?, also releasing this month. Comprised of immigrants from the
“Bet” is a catchy, soulful track from Minneapolis-based hip-hop group iLLism, off their second studio album iLLuminate. The husband-wife duo have been rising since becoming a top three finalist in Prince’s Paisley
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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