From forming in a Binghamton, NY basement to becoming one of the most reputable acts in the fledging Buffalo music scene, The Tins continue to elevate with tracks like the recent “Clearly
New Tracks
“You Don’t See Me“, was our first peek at Australian quartet The Tambourine Girls’ second LP (due for release in early 2018), providing a strongly melodic form of guitar-led yearning with stylistic
Belgian act van den Bear describes the project as “the story of a man that sometimes felt like a bear and then sung about it.” Beyond that, there’s not much out there
Arthur Fowler grew up emulating Jimi Hendrix on the East Side of Milwaukee, shifting to becoming active in the blues jam scene in the early ’80s. In college, he collaborated with the
“Egg”, the opener on NYDTyson’s new EP If You’re So Smart, Why Are You So Sad?, grows from quaint verses to a exulting chorus with soaring vocals and distorted guitars. It’s a
Elena Andujar’s latest album successfully integrates flamenco into the world of dance, with house mixes fit for listeners in need of hypnotic and deep beats. The new album Flamenco In Time also
WeatheredMan is the project of Simon Bradshaw, the frontman and singer/songwriter of Roja, who impressed last year with their mariachi-infused sound on tracks “The Evil Stands High” and “Company“. WeatheredMan is a
Released today, Los Angeles-based Justin Levinson shows considerable hook-y charm on new track “I’ll Make It In Hollywood”, a beach-y, sugary pop tune with a ’60s surf-tinged aesthetic. Heavily influenced by The
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
MoreA lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
MoreA blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
MoreLayering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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