Arthur Fowler grew up emulating Jimi Hendrix on the East Side of Milwaukee, shifting to becoming active in the blues jam scene in the early ’80s. In college, he collaborated with the
New Tracks
“Egg”, the opener on NYDTyson’s new EP If You’re So Smart, Why Are You So Sad?, grows from quaint verses to a exulting chorus with soaring vocals and distorted guitars. It’s a
Elena Andujar’s latest album successfully integrates flamenco into the world of dance, with house mixes fit for listeners in need of hypnotic and deep beats. The new album Flamenco In Time also
WeatheredMan is the project of Simon Bradshaw, the frontman and singer/songwriter of Roja, who impressed last year with their mariachi-infused sound on tracks “The Evil Stands High” and “Company“. WeatheredMan is a
Released today, Los Angeles-based Justin Levinson shows considerable hook-y charm on new track “I’ll Make It In Hollywood”, a beach-y, sugary pop tune with a ’60s surf-tinged aesthetic. Heavily influenced by The
San Franciso-based project Mendonesia show a timeless assortment of psych-leaning classic-rock and twangy country influences on new track “Evangeline”. The track is the second single from forthcoming album Spirit Van, out March
Eric Ronick and Michael Cannova comprise pop duo Good Days, formed in New York though enjoyably conveying a breezy West Coast sound showcased on exuberant new single “Love Soaked World”. Brass flourishes
“Come On, Honey” is a lush and captivating new track from Brooklyn-based folk/alternative act Allegra Krieger. The act is “inspired by a life lived transiently and freely.” Krieger’s serene vocal presence combines with
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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