The new single from Maudlin Strangers, “Don’t Worry, I’m Fine” stirs in its thumping rock momentum, fondly reminiscent of Arctic Monkeys in its debonair vocal tone’s ascent into a blistering fuzz-friendly fervency.
New Tracks
California-based artist Kevin Nichols shows a compelling rock sound on new single “Looking at The Ocean,” excelling in its reflections on complacency; “I don’t think looking at the ocean’s much of a
Suave guitars and brass complement a soulful vocal charisma on “day after dark,” a recent single from wishpenny. The Nashville-based duo of Brian and Regina Russell compel with a confident, timeless-feeling suaveness
A bluesy, distorted rock nostalgia lingers on “COMING.GOING.,” a new track from VELIKA VELIKA, a project based in Belper, UK. Distorted bass amps and live drums complement a chilled-out vocal composure, with
A stellar new single from Pittsburgh-based artist Miss Freddye, “Let It Burn” conveys a sense of seduction and ensuing loss of control alongside a bluesy, soulful rock charisma. Miss Freddye’s commandingly confident
Austin-based singer/songwriter Devon Grace reveals a hauntingly intimate sound on “Losing Game,” casting an eerie sense of melancholy and longing. “I wrote it about a girl I was in love with,” the
Warming guitar jangles and harmonious vocals enamor on "Star," a newly released single from New York-based duo Joyer, comprising brothers Nick and Shane Sullivan.
Pacific Northwest-based project Girls Know deliver an emotively gripping rock sound on “Stranger” and “Lovesick,” two new singles that showcase Girls Know’s knack for excitable structural developments and impassioned vocal rises. Showing
New Albums
matar la luz blends darkwave, post-punk, and dream-pop across Atlanta-based solo artist MatAre‘s latest full-length, balancing brooding guitar work and synth-driven atmosphere
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Delighting in its modular synth textures, escalating rhythms, and gradual shifts in intensity, Latticework is the debut album from Voix Nulle, the
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Spanish artist Santa Ana blends psychedelic guitar work, atmospheric synths, and expressive vocal arrangements across Vagío del 62, a debut album that
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The Clean Crime Scene‘s debut album Raw Cuts moves between gritty guitar rock, swirling psychedelic passages, and layered vocals, showcasing the project’s
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