Bodywash have proven very capable at crafting moody, consuming soundscapes in the past, from their cover of The Beach Boys’ “All I Wanna Do” to their 2016 track “Nothing At All.” The
New Tracks
New Jersey singer/songwriter Aadams unveils a haunting folk sound on new track “Forever on the Fence.” Released today, the track continues the powerful sound shown on track “Castaway” a couple months ago.
Copenhagen duo Maroc impress again with “Punch Drunk Rich Kid,” showing a style that infuses nocturnal hip-hop beats with an entrancing vibe reminiscent of King Krule. Following up last month’s stellar track
Formed in 2007, in a cabin in the Swedish outbacks, Billy Momo are a band that show infectious appeal on new track “Frozen City.” The track succeeds in two parts; concisely effective
“Memories” is the latest track from CRÈME, released today. The project of Trixie Reiss has impressed with many tracks in the past, and this is one is no exception. Effervescent synth pulsations
Brooklyn folk act The Weird Years emphasize a multitude of strengths on “Ticking Time,” a highlight off their recently released self-titled EP. A quaint, playful acoustic presence aids the lush vocal presence,
Astrolemo impressed last year with the Haunting Me EP and the track “Just Another Lie,” an atmospheric effort with spacey synth arps, bustling trip-hop rhythms and hypnotic vocal effects. The project, which
Released today, “Run for Your Life” is an anti-homophobia synth-rocker from Hallam London, an artist who impressed in 2016 with the track “To the Sky.” Hallam’s anthemic vocal presence is evident from
New Albums
A blissfully atmospheric range of rock and folk are showcased on the eponymous album from The Lost Letters, a Taiwan-based project comprising
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Album #9 from German band How To Loot Brazil continues their penchant for eclectic stylistic pursuits and hooky charisma. The German band
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Nashville-based singer/songwriter Davis Gestiehr shows a melodic rock appeal across his new EP, I’m Always Lying… Make Me Famous!. The four tracks
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Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”
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