The emotive “Someday, Maybe” is a resonating new single from Sofi Gev, the solo project of American singer/songwriter Hannah Lovelady. The opening lyrics, emitting a sense of solitude within an old house,
New Tracks
“Too Soon” is the latest single from Katmaz, the project of multi-instrumentalist and producer Matthew Kaz, featured prior with tracks such as “Nautical Things” and “Agnostic.” Reverberating vocals, suave Rhodes tones, and
A Pigeon in the Cockpit by Spiderwebs & Foam A stellar track from their new album A Pigeon in the Cockpit, German band Spiderwebs & Foam concoct a tightly melodic rock sound
Strutting a range of understated keys and glitzy synth-laden rises, “Reasons” is a memorable pop single from Los Angeles-based artist Olivia Grace. The artist first caught our ear in 2016, with the
The title track from Lost Leaders‘ new EP, “Jealous Sun” consumes with its suavely effective rise. A steady percussive pulse and twangy guitars complement an understated vocal lead to start, exceling amidst
An intriguing single with captivating structural development, “Relativity” comes via Sydney-based act Kingdom Calm. Debonair guitars and vocals intermingle, driving to satiating adornments from organs and further guitars. “But when you opened
Presenting an intoxicating range of instrumental tracks with hip-hop, soul, and R&B influence, intrinsic is the new album from akilbeatsdenver. The release represents the first self-released, composed, produced, and curated project from
Zero Sum by Moviola A timeless-sounding rocker with soaring appeal, “Zero Sum” is the new single from Moviola, a band from Columbus, Ohio. Suave guitar tones and steady percussion give way to
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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