A fervent rocker from Bay Area act Drowning Effect, “Bright Lights” opens the band’s latest album, Techniculture. The band takes inspiration from both ’70s psych-rock and ’90s alternative, evident on “Bright Lights”
New Tracks
Chicago-based artist Blake Red unleashes a heavy alt-rock sound on “The Cradle,” the title track from her EP of the same name. “The other side,” Red repeats with vigor throughout, the electric
A hooky track from Griffin Robillard with a disco-pop feeling, “Tinseltown” swells from sole piano glistening into a pulsing chorus with replay-inducing appeal. “If you don’t wanna change, fine, the world will
“Only For An Hour” is a soaring rocker from Los Angeles quartet Family Cash, reminding at points of early My Morning Jacket. Following an active intro, the initial verses show a more
A mellow delight from California-based band The Baylands, “Second Try” haunts with enveloping vocal harmonies and retrospective lyrics, exploring childhood reminiscence, a yearning for freedom, and the vital role of self-love. “We’re
“Thin Skin” is the second single from London-based singer/songwriter Anna Vincent, starting a solo career following time as a touring musician for the bands Happyness, Heavy Heart, and My Tiger My Timing.
Out today from Ryan Pollie, “The Shore House” is a lovely piece of baroque pop. The track touts an enjoyably diverse structure, from the brass-laden rock to sweeping symphonic touches. Pollie’s first
A track released today from Pale Moon, “Strange Days” is described by the duo as “our most upbeat tune so far.” Twangy guitars mesh with excitable bursts of synths, as Nata’s vocals
New Albums
A captivating album spanning from the fuzzy rock vigor of “Happy Accidents” to the dreamy softness within “Gaztelugatxe,” Feral Kids is a
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Los Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
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Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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