The opening track on Elliot Cole‘s new Journals, Vol. 1 EP, “November 1: Homesick” showcases the stirring sound of the NYC-based contemporary classical composer. Gentle acoustics help usher in dramatic strings, lending
New Tracks
A thoroughly impressive debut solo single from British artist Fox Fagan, “Gotta Get Out” presents a consuming sound with eclectic forays into psych-rock, chamber-pop, and alternative. The initial gliding piano and guitar
The dreamily engrossing “Star Sign” weaves murky vocals, lush synths, and hypnotic rhythms for a captivating sound, courtesy of California-based quartet Roman Around. The spacey synths and haunting piano resonance mesh with
“Stay” is a soaring, melodic success from Jordan Sommerlad, the NYC-based artist who impressed with the track “Hologram” in June. Both these efforts are off his new EP, Stay. The EP’s self-titled
“You’re So Sad” is a riveting rocker from Ryan Fischer‘s new album Commercials For Heaven. “You’re so sad, oh so sad,” Fischer lets out during the chorus, rising cohesively from chugging guitars
A recent track from Brooklyn-based band Iceblink, “Seared” recalls a fondness for English alt-rock of the ’80s. The bustling bass line conjures a post-punk feeling, interlaced with serene vocals and nostalgic guitar
A track fit for summer-yearning as autumn begins to take hold, “A Summer’s Dream” is an alluring new track from Kaori Mukai, an artist originally from Fukuoka, Japan. The track showcases a
Mr. Ciao by Sines (Feat. Christina Siravo) A bursting electro-pop anthem, “Mr. Ciao” is a new track from Sines, featuring Christina Siravo. Sines, the project of Portland, OR-based artist and producer Jason
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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