The Virtualistics is a newly released album from Napa Valley-based artist Patrick Ames, impressing prior with album tracks “You Make Me Scream“, “Reawakened 2020,” and “Second Wave.” Ames wrote the album’s eight
New Tracks
The latest from Shawna Virago, “High Road No. 6” is a consuming alt-country track with poignant sentiments about “escaping the entrapments and negative forces wanting to take you down.” Virago, a pioneer
Atlanta-based pop trio 3D The Boss get feet moving with recent track “Push It,” from their debut full-length album of the same name. The group blends a love for ’70s and ’80s
A dreamy success from Jordan Sommerlad, “Hologram” comes from the NYC-based artist’s upcoming album. Lush vocals and jumpy guitar jangles kickstart an amiable sound, driving to an exhilarating title-referencing hook past the
It Is Me by computer science “Hell” is a haunting track from computer science, the project of Tim Brozowski, based near Carrboro, North Carolina. Lush vocals embrace alongside strumming acoustics and sporadic
“Pink Summer Moon” is an enchanting, meditative track from Corinne Sharlet, off her forthcoming debut album A Lovely Future, out this summer. Sharlet recorded “Pink Summer Moon” directly to an analogue tape
Enthusiastic brass and string-laden pulsing flourishes throughout the exciting “The Occasion,” a recent track from Toronto-based artist Harkness, impressing in March with “Tornado.” The brass/string push rides alongside rising vocals, swelling to
Certainly achieving its namesake, “Standing Out From The Crowd” is a creative, infectious entry from Japanese artist springtide. The track comes via springtide’s new EP, Remixed and Reconstructed, providing twists on previously
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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