New Tracks

springtide – “Standing Out From The Crowd”

Certainly achieving its namesake, “Standing Out From The Crowd” is a creative, infectious entry from Japanese artist springtide. The track comes via springtide’s new EP, Remixed and Reconstructed, providing twists on previously

I am TIM – “big cat fears”

New York-based rapper I am TIM shows excellently on new track “big cat fears.” A nocturnal, murky beat with a whispery backing synth and heavy rhythmic pulse complement a lush vocal lead.

SNTGO – “Desire”

“Desire” is a memorable track meshing R&B yearning with scorching rock guitars, from SNTGO, a singer/songwriter and producer from Barcelona, Spain. Slight guitar fragments and building vocals, reminiscent of James Blake, start

Wise John – “Always Be the King”

“Always Be the King” is a rousing rocker from Wise John, via the artist’s new album A Wonderful World. Chiming bells quickly give way to an expansive rock production, with electrifying guitars

Ad Vanderveen – “Release”

Amsterdam-based singer/songwriter Ad Vanderveen shows his strongly authentic vocal presence and folk sound on recent track “Release,” from the album of the same name. The album’s ten original tracks show an emotive

Sup? – “I Quit”

A chilled-out electro-pop success from Sup?, “I Quit” features a lush synth backing and tropical key-like resonance. Slowed-down, tender vocals accompany with melodic satisfaction, punctuating with an affirmative “I quit.” The reflective

Kekko – “Dreaming Life”

Out today from Kekko, “Dreaming Life” is another consuming dream-pop success from the Singapore-based husband/wife duo, who impressed with the track “Past Lives” last month. Both of these tracks come from the

Goldwoman – “5 or 20”

A catching track released today from Goldwoman, “5 or 20” is quick to expand with melodic charm and vibrancy. Initially featuring serene piano work, “5 or 20” leads seamlessly into bouncy guitars

New Albums

Arpatle – ‘Stalacs’ EP

Stalacs is a dark ambient experimental EP from Utrecht-based composer Arpatle, the moniker of Patrick Bossink. Utilizing granular delays, 1024 sine tones,

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