Impressing in September with one of the year’s catchier tracks in the Pulp-esque “V.G.S.O.H. (Sadie’s Song),” Griffin Robillard again struts infectious appeal with new track “1 More Wicked Morning.” Showing an electro-tinged
New Tracks
Another impressive entry from Josh Fudge, “There She Goes” represents the final single leading to his debut studio album. A laid-back affair initially with coy vocals and swaying guitars, the chorus injects
With a gorgeous folk sound, “Still Tired” marks the debut single from singer/songwriter Jared Saltiel. Aesthetically echoing the lusher efforts from Elliott Smith and Paul McCartney, “Still Tired” knits a refreshing aesthetic.
Soaring guitar twangs kick off “Everyone Knows” with a pleasant allure. A lushly melodic vocal presence follows, reaching soaring heights as the track progresses. San Diego-based act Odakota impress thoroughly with this
The second track from Ethan Ast, “Don’t Get Comfortable” is an engrossing track infusing soaring, spacey pop vibes with blistering psych-rock adornments. Lush verses contrast enjoyably with more bursting chorus, with a
The debut single from Mickey Newball, “Betting On Bad Weather” consumes with moody, soulful escalation. Sweltering vocals and hazy organs lend to an aesthetic reminiscent of Father John Misty and Cass McCombs.
Aesthetically reminding fondly of The Divine Comedy and Momus, with a pulsing bedroom-pop charm and synthesized glow, “I Love My Phone” is a clever delight from Hard Working Boss. “Oh, does this
A highlight from Denni Ian‘s consuming new album The Sad Saint of South End, “Killer Whales” impresses with its serenely unfolding sound. Gently pulsing keys provide a lovely accompaniment to the stirring,
New Albums
Following a career as an industrial rock vocalist, Tokyo-based Yuichi Nishikawa pivoted to composition after a vocal disorder, eventually scoring over 50
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Founded by Ed Silva in 2007, the project Cries of Redemption serves up two decades of unreleased material on the LP Patterns.
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County Durham quintet The Casbahs channel decades of British guitar-rock heritage into their excellent sophomore album, Peasants of the Show. Recorded at
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San Francisco-based collective Wreckless Strangers continues their “Ameri-Cali Soul” stylishness with Dirty Souls, a six-song EP produced by four-time Grammy winner Dave
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