Baltimore-based band Super City show a vitalizing rock sound on new track “42 Years,” which — per the band — is “about an infamous
Impressing in September with one of the year’s catchier tracks in the Pulp-esque “V.G.S.O.H. (Sadie’s Song),” Griffin Robillard again struts infectious appeal with new
Another impressive entry from Josh Fudge, “There She Goes” represents the final single leading to his debut studio album. A laid-back affair initially with
With a gorgeous folk sound, “Still Tired” marks the debut single from singer/songwriter Jared Saltiel. Aesthetically echoing the lusher efforts from Elliott Smith and
Soaring guitar twangs kick off “Everyone Knows” with a pleasant allure. A lushly melodic vocal presence follows, reaching soaring heights as the track progresses.
The second track from Ethan Ast, “Don’t Get Comfortable” is an engrossing track infusing soaring, spacey pop vibes with blistering psych-rock adornments. Lush verses
The debut single from Mickey Newball, “Betting On Bad Weather” consumes with moody, soulful escalation. Sweltering vocals and hazy organs lend to an aesthetic
Aesthetically reminding fondly of The Divine Comedy and Momus, with a pulsing bedroom-pop charm and synthesized glow, “I Love My Phone” is a clever
A highlight from Denni Ian‘s consuming new album The Sad Saint of South End, “Killer Whales” impresses with its serenely unfolding sound. Gently pulsing
“Get On By” is an enjoyably twangy track from Doc Straw & the Scarecrows, a Virginian artist crafting a memorable southern-rock sound. Lyrics reaffirm
