Incorporating both confident swagger and a futuristic assortment of industrial synths, “Hump Day” is an infectiously confident effort from Miss Eaves, aka Brooklyn-based Shanthony Exum. The song’s topic is relatable enough: masturbation. Miss Eaves

Stoop Kids’ “Good Enough” was one of the catchiest tracks I’ve heard all year, a timeless-sounding pop tune featuring vintage surf-pop harmonies and lovable guitar twangs. Digging more into the New Orleans-based

Laxy Dazy is a highly promising brother-sister duo from Sydney, continuously perfecting their cosmic sound. A folky sparseness exists in their arsenal, but more noticeably the jazz-leaning percussion and lush dream-pop/psych-pop vibes

Teen Ravine is a Toronto-based duo whose debut single, “Friend of a Friend”, is ear candy from the get-go, with wistful vocals and melodically caressing keys building toward an illuminated synth-tinged hook

We previously featured Night Drifting’s understated and beautiful sound with the track “Just Because“, and now the project of Amit Pandey has another new track out. “Language of Losing” traverses across the

An underwater-like grace exists during the beginnings of “Holiday”, where a gentle throbbing synth complements crisp vocals and evolving percussive snares into the crystallized hook just before the one-minute mark. The track

“I’m Not My Brain” is a just-released single from Italian-American singer/songwriter/producer Dario Margeli, an atmospheric ’80s-tinged journey that reminds of both Scritti Politti’s calm synth-infused sophistication and The Style Council’s funk-laden ’80s