“City Nights” is a striking stylistic excursion into neon-tinged funk and pop, with a slow disco-like sorta feel in its playful bass line and “all those city nights” vocal hook. The lead
New Tracks
Gentle in its melodic trickling as it may be, “Gold Books” has a powerful ethereal quality that will sound somewhat familiar to fans of Kate Bush, forcefully infectious but never departing a
Already opening for acts like Manic Street Preachers, Tom Odell, and the Maccabees, Toronto-based quartet Jane’s Party have found quick success as a quickly enjoyable rock outfit with a Brit-pop touch. Delightfully
Cool Company, the writer/producer duo of vocalist Yannick Hughes (aka Cool Yan) and producer Matt Fishman (aka Fat Matt), showcases developmental strength on new track “Summer Daze”, which starks with a stark
The Glasgow-based duo of Alan Montgomery and Ricky Kyle comprise The AfterAffects, a project that combines elements of house, electro, and rock for a sound that essentially merges the ’80s, ’90s, and
Apart from perhaps Halloween, there’s no better time to post the work of Chris Wirsig than on a Friday the 13th. The San Francisco-based classically trained musician combines over 15 years experience
Mons Vi are already off to a great 2016, with their Self Help EP – and tracks like “Falling” – showcasing the Brooklyn trio as fast-rising indie-rock gems. Groups like Real Estate
“Fire Away” delivers a soaring beauty of a sound, with a western-y twang and alternative-folk fervor that reminds me fondly of Matthew Sweet and Camera Obscura. “I wanna love you strong like
New Albums
On the ambitious Redux Trilogy, London-based project Coaxial delivers three distinct releases — Redux Media, Firemaniac, and Wittgenstein–Cronkite–Hellholes — designed for simultaneous
MoreLos Angeles-based band Sego unleash an eclectic, charismatic art-punk and rock appeal on their new album, Direct To DVD. Flipping a format
MoreNewly released album Muffled Ears, the World Sounds Bad Quality finds Reading, England-based artist Sightseeing Crew crafting a sophisticated collision of psychedelic
MoreRina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate
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