New Tracks

Blues Williams – “Pleather”

Blues Williams‘ new track “”Pleather” is a stylish and suave rock success, sounding like it would feel at home on the beloved Jet Set Radio OST. The laid-back vocals enamor amidst a

Slow Cinema – “Sizzler”

“Sizzler” flaunts a rock-forward mystique throughout, courtesy of Slow Cinema, a band from Newcastle, Australia. Drawing from prior decades — from the ferocity of ’90s alt-rock to the rhythmic suaveness of ’70s

Death Party – “Son of Sam”

“Son of Sam” is the exciting debut single from Death Party, an Austin-based trio currently prepping their debut album. The track was mastered by Grammy-winning engineer Howie Weinberg, and exudes a ceaseless

The Appalachians – “Killer Ritalin”

Milwaukee-based The Appalachians show a compelling, menacing alt-rock sound on their new single “Killer Ritalin.” The halted guitar before the “settle down,” sequence at the 30-second mark plays climactically, with the ensuing

Freedom Fry – “If the World Was Mine”

A superbly melodic, breezy delight from the duo Freedom Fry, “If the World Was Mine” is described as “a feel-good yet slightly bittersweet song about living in an imagined ideal world.” The

New Albums

Jared Fullerman – ‘Ins’

An enthralling album spanning from dreamy, hypnotic introspection to synth-laden theatrics and rousing, spirited rock, Ins is the latest from Jared Fullerman.

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Mattock – ‘Daughters’

Daughters is a standout rock record from Southern Maryland-based act Mattock. Led by the songwriting of Casey Brandt and Jason Fletcher, the

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Snailgun – ‘Glass Walls’

A thrilling debut album from Naarm-based band Snailgun, Glass Walls masterfully balances melodic post-punk with chaotic noise rock. The album navigates diverse

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