A psychedelic synth-rock splendor, “Outside Deep Inside Part 2” is a new track from NYC group Lukka. A richly textured, soaring sound provides enjoyment throughout the first half, with psych-friendly synth gliding
New Tracks
Trudging guitar jangles and a valiant vocal lead ignite Love Crumbs‘ new track “Cavalcades”. While the verses chug along with a meditative calmness, the chorus cathartically erupts like a soaring spring of
“Mirror Man” is a fun track from Scotty Malcolm, a Houston-based artist. The topic of vanity is explored amidst peppy, garage-friendly guitars and wordless backing vocal enthusiasm. The track’s inspiration, whoever that
“Come Round” is a slice of ’80s pop nostalgia from Astropark, the duo of David Santos and Mike Baber. They met at USC Film School, forming the band There Goes Bill and
Moody guitars and synth flourishes guide “Age,” the fifth single from Joe Vann‘s upcoming album. Retrospective lyrics give in to advancement, “I’m not a little kid anymore,” as synths appear sporadically amidst
Finding a comfortable meeting place between peppy garage-rock and psych-pop whimsy, “Ladder” is a new track from Ted Tyro, a band from Louisville, Kentucky. The interacting guitar lines remind me fondly of
The soulful, electric “Better Off” shows Jean~Baptiste strutting a soulful vein of hip-hop. Led by a smooth vocal flow, complemented by backing vocal enthusiasm and a suave bass line, the verses are
A superbly catchy track from Tampico Lasting Love, “Make a Little Room” meshes soulful R&B with modern pop charm. Organ spurts and gyrating vocals build to a funk-forward hooks. Sharp strings and
New Albums
A captivating album spanning from the fuzzy rock vigor of “Happy Accidents” to the dreamy softness within “Gaztelugatxe,” Feral Kids is a
MoreLos Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
MoreJoseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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