The opening track on Better Angels, the new album from Eric H. F. Law, “Don’t Be Afraid” touts considerable stylistic charm. A brooding vocal lead is complemented by snarling guitars and backing
New Tracks
Reminding me fondly of The Psychedelic Furs, “Nothing” is a track from Richmond, VA-based musician Pat Absent, off the new album Tangible Absence. Weary vocals and jangly guitars craft a climactic, murky
“Waiting” is a raucously enjoyable track from Bushwick Blooze Band, a blues-rock trio. Although the band often features vocals in their material, “Waiting” is an instrumental piece, focusing on guitar work, particularly
Previously impressing with the tracks “Happy to Serve” and “Dance With Me,” California-based artist SONI shows well again with the track “Savage,” featuring Izzy Austin. SONI’s convergence of soul, R&B, and pop
The playfully hypnotic “Green Bean” is a memorable new track from Solomon Sprenger, off his new album, Say What You Know. The suave initial vocal momentum and synth-laden flashes remind fondly of
“To Be Lonely” is the latest track from Nashville-based artist Reed Gaines. Touting ample mood and soulful charisma, the track grooves with convincing replay-inducing appeal. Nocturnal, minimalist piano tones past the two-minute
Lushly engrossing, “Tarnish” is a new track from Brooklyn-based act Votive Crown, who impressed in March with “Prize Possession.” Thematically taking inspiration from the Greek myth of Echo and Narcissus, “Tarnish” succeeds
“Seashell” shimmers as if in a carefree, dream-like state. “Pinch me as I’m dreaming,” the vocals repeat throughout, an apt choice considering the production’s flourishing and hypnotizing qualities. The latest track from
New Albums
Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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An excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
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Cologne-based duo Kitbuilders return with Stupid Games, unveiling a striking hybrid of electro, new wave, IDM, and beyond. This release marks a
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On the sophomore album HELIX, Cole Lumpkin delivers a self-produced masterclass in resilience and eclectic charm. Written and performed entirely by Lumpkin,
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