New Tracks

ghost prom – “5am”

A rousing alt-rock success, "5am" is a recent track from ghost prom, the Hudson Valley-based husband/wife duo of Cameron and Eden Crosby. They describe the effort as "about a journey through the

Child Seat – “Fucking Up a Good Thing”

Compelling in its anthemic ’80s pop outpouring, “Fucking Up a Good Thing” is a gripping single from Child Seat. The project, formed in 2021 by Madeleine Mathews (MAWD) and Josiah Mazzaschi (Light

D.A. Crimson – “Big Dog”

The second single from Brooklyn-based artist D.A. Crimson, "Big Dog" is another stirring success, following the gripping "Golden Egg." The artist describes "Big Dog" as "a fiery track about pity – the

True Blue – “Borrowed Spaces”

Meshing dreamy pop with a post-punk rhythmic undercurrent, “Borrowed Spaces” is an enthralling new single from German solo project True Blue, via the upcoming EP, Borrowed Spaces. Hazy vocals and a steadily

Tallinn – “Captive Coast”

“Captive Coast” is a lush, grooving single from New York-based experimental pop band Tallinn, via the upcoming album On the Trade Winds (out October 13th). Pursuing a serene, jazz-tinged rock/pop fusing taking

Peter Beatty – “Tell Me Where To Go”

A track released today from London-based artist Peter Beatty, “Tell Me Where To Go” enamors with a caressing folk sound and warming vocal delivery. The release comes alongside a stop-motion video, above,

Meghan Pulles – “10,000 rains (Oma’s song)”

Nashville-based artist Meghan Pulles captures the long road of grief, and resulting perseverance, on the consuming track “10,000 rains (Oma’s song).” A haunting folk-forward direction stirs throughout. Pulles explains: “This is a

Chords Of Indigo – “The Death Of Me”

Manchester-based artist Chords Of Indigo shows a heartfelt, soulful rock character throughout “The Death Of Me,” the project’s fourth single. Moody guitar stylings — with a touch of ’90s nostalgia — intertwine

New Albums

Rina Kharrasova – ‘Ravel: Sonatine’

Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate

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