Ellen Warkentine’s ongoing Nonsense Mouth project has treated us with visual and audible splendor, with the four tracks so far offering videos with striking visuals and resonating themes. The music itself is
New Tracks
“1965” is a consuming track released today from Johnnie Beamon, a hip-hop artist from Las Vegas. The track strives to take the listener “into the mind of a young black man that
Anaheim-based singer/songwriter Solomon Sprenger impresses on the track “Peace,” where his mellow vocals and thickly stirring guitars mesh with twinkling keys for a dazed, blissed-out feel. The guitars rise emotively as the
“Calm For Color” is a successful new track from Tiny Dolphin, an artist from Austin, Texas. Stylistically, the track sits somewhere between The National’s morose rock retrospection and Andrew Bird’s stirring folk
Italian power trio Hypergear showcase their powerful, emotional rock sound on the track “Buzz” — released today. The band describes the effort as: “A song about a friendship or a relationship went
Dot.s’ “Evil Lines” is a super catchy track that rides on glistening synths and infectious vocal harmonies, with climactic orchestral whirring adding to the gripping sound. “Evil Lines” comes via the forthcoming
“Why You’re Tired” is an immersive effort from rising Manchester quartet Plato, who channel a very Radiohead-esque sound here — from the escalating guitar tones and expansive rhythm section to the strikingly
The serene, spacious “But I Don’t Mind” is a new track from Mathias Hammerstrøm, a singer and electronic composer from Denmark. Stylistically reminiscent of James Blake’s most contemplative efforts, the atmospheric track
New Albums
An immersive, atmospheric work shaped by stillness, Ocoeur‘s new album Greener Grass, Clearer Water explores nature’s fragility and renewal. The album blends
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An eclectic ten-chapter journey from Czech composer and keyboardist Otto Orany, 10 Blue-Penciled Stories features a hybrid ensemble of saxophone, clarinet, oboe,
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A captivating blend of intricate harp arrangements and melodic folk-pop, Stephanie Babirak‘s new album Rotten Fruit masterfully explores morality and identity. The
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The awakening final chapter of The Dialectic Series, Kayze‘s Renaissance is an enveloping electro-pop and hip-hop triumph. Blending ethereal synths with driving
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