SHORTS EP by Boy Romeo “Don’t Call Me Girl” is a super-catchy track from Boy Romeo, showing a power-pop sensibility reminiscent of Christopher Owens/Girls. The track is a highlight off the project’s
New Tracks
“Move” is a high-energy electro-pop success from Jo Marches, off her second EP Day In Day Out. The “move faster / step closer / jump higher / come closer,” hook captures these
“Blue Blood Baby” is a suavely accomplished rocker, showing shades of War on Drugs, The Church, and Nick Cave in its captivating aesthetic. The debut single from Loverman, a project led by
Crooked Flower are a band from Berkeley, California with a penchant for shimmering, feel-good psych-rock. Their new album, Into The Light, is an impressive one, led by lush grooves and Angie Dang’s
Featured in 2016 with their track “Roots,” Midwest Soul Xchange impress again with new track “The Loser Illusion.” This one is off their forthcoming full-length album Weakened at the Asylum, out on
Journey To The Centre Of Yourself by H! “Hooray Beer!” is the fun opening track off Journey to the Centre of Yourself, the new EP from Swedish experimental pop/rock songwriter H! (Howard
Middle Management are a new act from Melbourne, Australia, whose new single “Voices” follows up their debut tracks “Return” and “21” earlier this year. “Voices” released on October 24th, and is preceding
Roadkeeper are an East Texas quartet that blend aspects of dream-pop, shoegaze, and psych-rock on their impressive new track “The Creeps.” Airy vocals and melodic guitars maintain a jangly, charismatic allure in
New Albums
Alt-folk husband and wife duo Pegasuses consume on their new album Sea of Joy, showcasing the Southampton-based act as expanding their intimate,
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The new EP from singer-songwriter, producer, and multi-instrumentalist I Forget Myself, An Exception conveys a strong alternative rock identity with focus and
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field is a lushly inviting piano-led EP from Annstiina, an artist based in Järvenpää, Finland. Previously succeeding in the art pop realm,
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Detroit-based songwriter Daniel Rodak presents his self-titled album as a stripped-back, self-produced statement rooted in folk and folk-rock tradition, recorded just outside
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