The integration of humor and satire into music can be an incredibly complex process. By coming across as humorous or self-depreciatingly witty, an artist
When Burial emerged in 2006 with his self-titled debut album, the attention appeared to be split between the excellent content on the album and
What artist doesn’t want attention? Many of them send out hordes of e-mails and MySpace invitations to the point where it nearly seems like
Seeing a rock band take the stage without a drummer can be like watching an artist try to paint without a canvas. The ideas
Richard Swift’s scraggly beard, endearing voice, and piano-based delivery can all be indicative of the past in some way, but such superficial elements cannot
When synth-pop was first glorified in the late ‘70s, it was a musical breakthrough in a more than one way. Its introductory development was
In the spirit of a Friday, I figured that featuring two instantaneously accessible artists would be appropriate. On drowsy Mondays or monotonous Tuesdays, I
When the time occurs in which technology overtakes many basic human functions and automation becomes a habit, many futurists claim that we will revert
To attain memorability, artists often strive for a consistent tonal resonance to align with the occasionally overlooked aspect of cohesion. Whether one hears a
By the time that Swedish brother-sister duo Karin Dreijer Andersson and Olof Dreijer released their third full-length album in 2006, The Knife had already
