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Posts Tagged ‘acoustic’
 
 
 
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The Kilimanjaro Darkjazz Ensemble

When projects attempt to be conceptual in both their style and purpose, there arises a sensitive area where criticism has difficulty retreating from the subjective to the objective. What we define as “quality” is premeditated b...
 
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Brooklyn’s Favorite Library

Continuing with the stream of CMJ-bound artists, The Library are a bit different from what many expect at a festival of CMJ’s often frenetic vein. Often popular for artists that tout theatrical art-rock, synth-pounding da...

 
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Tim Williams’ Careful Love

On the heels of next week’s CMJ festival in NYC, Tim Williams is exemplary of the local favorites you are bound to find there. The Brooklyn-based songwriter caught one of his first breaks at CMJ in 2004, shortly after his...
 
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The First Impression of a Total Babe

The importance of a first impression is something that has been stressed since humanity’s inception, with philosophers as early as Socrates noting its role in developing biases. Subsequent eras such as the Tudor period, E...

 
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Jesus H. Foxx Matter

Identifying the differences between concise indie-rock and avant-garde developments are more complex than analyzing track’s duration and selection of instrumentation. There are supremely talented musicians in each spectru...
 
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Oryan’s Belt

Superfluous guitar solos and shoddy production are things that any attentive music fans despises. As fans, we tend to magnify our roles in the whole listening experience to make it seem as if the artist owes us something. As a ...

 
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M. Bison Attack!

We are all part of a certain generation, whether it involves flower children or hair-metal. I was born in the late ’80s, so I found myself in between the phases of hair-metal and the revolution of home gaming consoles. Wh...
 
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Old Canes Follow the Feral Harmonic

The “Omaha Sound” is one of the few stylistically determinable phrases of this decade that lacks pretentiousness and overwrought conceptual tasks. To describe a stylistic trend during a specific era, we tend to resort to concoc...

 
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Kordan’s Fantasy Nation

It is hard enough to stand out in the music industry, both in regard to the attention one receives and how long they are able to endure standing there without recognition. It is both literal and interpretive here, as a feeling ...
 
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Grant-Lee Phillips Plays to a Little Moon

Even if it brings necessary experience and helpful recognition, having a lengthy career also ignites some associations that can be highly detrimental to an artist’s frame of mind. Few would prefer anonymity to prominence,...