Posts Tagged ‘Sam’
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The Kilimanjaro Darkjazz Ensemble
When projects attempt to be conceptual in both their style and purpose, there arises a sensitive area where criticism has difficulty retreating from the subjective to the objective. What we define as “quality” is premeditated b...
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The Technology of Midnight Juggernauts
It would be nice if all New Yorkers were given next week off for the sake of new music. CMJ’s Music Marathon is already intimidating enough with hundreds of artists on the roster, so with classes and work getting in the w...
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UltraChorus Goes Ultra-Def
We are producers. We make music for you. This is what UltraChorus convey on their web site, almost sounding like they cater to artists more than listeners in doing so. Such circumstances have the likelihood of create hazardous ...
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A Real Life Aficionado
To describe Aficionado as a sudden output of energy would probably the most accurate, as I doubt many bands possess the cumulative energy of this aspiring ten-piece from upstate New York. Ten members who play everything from ex...
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Jesus H. Foxx Matter
Identifying the differences between concise indie-rock and avant-garde developments are more complex than analyzing track’s duration and selection of instrumentation. There are supremely talented musicians in each spectru...
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Oryan’s Belt
Superfluous guitar solos and shoddy production are things that any attentive music fans despises. As fans, we tend to magnify our roles in the whole listening experience to make it seem as if the artist owes us something. As a ...
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M. Bison Attack!
We are all part of a certain generation, whether it involves flower children or hair-metal. I was born in the late ’80s, so I found myself in between the phases of hair-metal and the revolution of home gaming consoles. Wh...
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A Strange Arrangement With Mayer Hawthorne
In an age where audible masculinity is often associated with loud guitars and aggressive screaming, you are really putting yourself out in the open (and taking a few commercial risks) by shaping your vinyl records in the shape ...
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Old Canes Follow the Feral Harmonic
The “Omaha Sound” is one of the few stylistically determinable phrases of this decade that lacks pretentiousness and overwrought conceptual tasks. To describe a stylistic trend during a specific era, we tend to resort to concoc...
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Kordan’s Fantasy Nation
It is hard enough to stand out in the music industry, both in regard to the attention one receives and how long they are able to endure standing there without recognition. It is both literal and interpretive here, as a feeling ...
